From Scientific American Mind and Dr. Shelley Carson: "The incidence of strange behavior by highly creative individuals seems too extensive to be the result of mere coincidence. As far back as ancient Greece, both Plato and Aristotle made comments about the peculiar behavior of poets and playwrights...Albert Einstein picked up cigarette butts off the street to get tobacco for his pipe; Howard Hughes spent entire days on a chair in the middle of the supposedly germ-free zone of his Beverly Hills Hotel suite; the composer Robert Schumann believed that his musical compositions were dictated to him by Beethoven and other deceased luminaries from their tombs; and Charles Dickens is said to have fended off imaginary urchins with his umbrella as he walked the streets of London. More recently, we have seen Michael Jackson’s preoccupation with rhinoplasty, Salvador Dalí’s affection for dangerous pets and the Icelandic singer Björk dressed for the Oscars as a swan."
The biology discussed in the article mentions several interesting and different lines of research - some of the research involving diffuse attention and lifetime creative achievement, but also 'inner world' thinking she relates to cognitive filtering:
"Reduced cognitive filtering could explain the tendency of highly creative people to focus intensely on the content of their inner world at the expense of social or even self-care needs. (Beethoven, for example, had difficulty tending to his own cleanliness.) When conscious awareness is overpopulated with unusual and unfiltered stimuli, it is difficult not to focus attention on that inner universe."
Almost sounds like sensory processing dysfunction. Children and adults with sensory processing overload may seem oblivious to social or self-care needs, but they are often very sensitive to other stimuli or experiences. In truth, there are a great deal of overlaps between sensory processing checklists and checkslists for Dabrowski's Over-excitabilities.
Other biological studies mentioned in the article were were EEG studies which found more alpha waves among the highly creative, and schizotypal and D2 receptor studies which also raise associations with psychosis and ADD.
The article ends on kind of an upbeat suggesting that "the plight of square pegs may be improving." At least creativity seems to be sought-after in the business world. Now if only the same could be true in schools (for more on this, see Creativity Asset or Burden in the Classroom?)
1. What are you best at doing? It is amazing how many people spend years trying to get good at what they’re bad at instead of getting better at what they’re good at.
2. What do you like to do the most? This is not always the same as the answer to question 1. Unless it is illegal or bad for you, do what you like. If it is also productive and useful, it ought to be your career.
3. What do you wish you were better at? Your answer may guide you to a course you should take or a mentor you should work with. It may also indicate a task you should delegate.
4. What talents do you have that you haven’t developed? Don’t say none.
5. Which of your skills are you most proud of? This often reflects obstacles you’ve overcome.
6. What do others most often say are your greatest strengths? This question helps you identify skills you may not value because they seem easy to you.
7. What have you gotten better at? This gives you an idea of where putting in additional effort can pay off.
8. What can you just not get better at no matter how hard you try? This tells you where not to waste any more time.
9. What do you most dislike doing? Your answer here suggests what tasks you might want to delegate or hire out.
10. Which skills do you need to develop in order to perform your job? Your answer to this question might lead you to take a course, read a book, or work with a mentor or coach.
11. What sort of people do you work best/worst with? Do you love to work with highly organized, analytic types? Do creative types drive you crazy? Make up your own categories.
12. What sort of organizational culture brings out the best in you? It is amazing how many people won’t leave a culture for which they are hideously unsuited.
13. What were you doing when you were happiest in your work life? Could you find a way to be doing that now?
14. What are your most cherished hopes for your future work life? What could keep you from realizing those hopes?
15. How could your time be better used in your current job to add value to the organization?Your answer here gives your manager valuable input he or she may never have thought to ask for.




